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By the turn on the 20th century, amateur advisors and publications were increasingly challenging the monopoly which the large retail companies had on interior planning.
English feminist author Mary Haweis wrote several widely read essays inside the 1880s through which she derided the eagerness in which aspiring middle-class people furnished their houses good rigid models agreed to them because of the retailers.[10] She advocated the person adoption of any particular style, tailor-made to the average person needs and preferences with the customer:

"One of my strongest convictions, and one from the first canons of a good taste, is always that our houses, such as fish’s shell plus the bird’s nest, need to represent our individual taste and habits.
The move toward decoration as being a separate artistic profession, unrelated on the manufacturers and retailers, received an impetus together with the 1899 formation in the Institute of British Decorators; with John Dibblee Crace since its president, it represented almost 200 decorators across the country.[11] By 1915, the London Directory listed 127 individuals trading as interior decorators, that 10 were women. Rhoda and Agnes Garrett were the primary women to coach professionally as decorators in 1874. The importance of their work with design was regarded during the time as over a par with this of William Morris. In 1876, their work – Suggestions for House Decoration in Painting, Woodwork and Furniture – spread their applying for grants artistic home design to a wide middle-class audience.[12]

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